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A Fraud That Anyone with Common Sense Can See Through

October 21st, 2006

Longtime readers of The Audio Critic are fully aware that many of high-end audio’s articles of faith are bogus. Most of these fraudulent pronouncements about cables, tubes, vinyl, etc., require a little bit of engineering science to refute. A typical example is the absurd practice of biwiring, whose futility is made obvious by the superposition principle, a law of physics not known to everyone (see under downloadable Sample Articles, “The Ten Biggest Lies in Audio,” on this website). Read the rest of this entry »

AudioDigit Class T-Amp MC8×100

October 9th, 2006

8-Channel Digital Power Amplifier

Designed by AudioDigit (www.audiodigit.com) in Italy. Manufactured by Autocostruire di Melani Antonella, Via A. Modigliani 27/B, 51100 Pistoia, Italy. Voice: +39 335 290925. Fax: +39 0573 31018. E-mail: info@autocostruire.com. Web: www.autocostruire.com. AudioDigit MC8×100 eight-channel “digital” power amplifier, 480 euros (c. $610) plus shipping and import duty. Tested sample on loan from manufacturer. Read the rest of this entry »

A Note on NXT Distributed Mode Loudspeakers

August 9th, 2006

This was an attempt to investigate the high-fidelity possibilities of a radically new and different transducer technology.

NXT is a fairly young but rather large company based in Huntingdon, England. They are responsible for the development of the Distributed Mode Loudspeaker (DML), which is a flat-panel transducer that can assume innumerable different shapes and forms, both opaque and transparent, and is not based on the piston concept but on bending-wave physics. A DML panel vibrates in a large number of modes instead of moving back and forth as a rigid piston-like unit. I have never seen a formal mathematical analysis of the basic design, but there are literally hundreds of products out there, large and small, using the NXT patents, from “talking” TV screens to cheap little surround-sound satellites. Everything except high-end audio—and I wondered why. (Actually, I witnessed a CES demo of a high-endish prototype a few years ago, but it never flew.) Read the rest of this entry »

Back to CD/SACD Reviews

July 18th, 2006

As our regular readers know, I am neither a professional musician nor a tweako audio cultist. You won’t find either one of those perspectives here. I just listen to CDs (mostly classical), look at and listen to DVDs (mostly opera), and pick a few interesting ones for my brief and modestly offered reviews here. The assumption is that music-loving audiophiles and audio-savvy music lovers will find at least some of my stuff worth reading because I try to engage them on their level. Read the rest of this entry »

Canton Vento 809 DC

May 7th, 2006

Floorstanding 3-Way Loudspeaker System

Canton Electronics Corp., 1723 Adams Street NE, Minneapolis, MN 55413. Voice: (612) 706-9250. Fax: (612) 706-9255. E-mail: info@cantonusa.com. Web: www.cantonusa.com. Vento 809 DC floorstanding 3-way loudspeaker system, $5000.00 the pair. Tested samples on loan from manufacturer. Read the rest of this entry »

Your Editor, Revealed

April 13th, 2006

An Unprecedented Interview

Editor’s Note: The following interview was conceived, produced, and edited by a longtime subscriber to The Audio Critic who wishes to remain anonymous. It was conducted by e-mail over a period of a few weeks in March/April 2006. The questions were entirely the interviewer’s choice; your Editor merely answered them as best he could. Read the rest of this entry »

Parasound Halo A 21

April 5th, 2006

2-Channel Power Amplifier

Parasound Products, Inc., 950 Battery Street, San Francisco, CA 94111. Voice: (415) 397-7100. Fax: (415) 397-0144. E-mail: sales@parasound.com. Web: www.parasound.com. Halo Series A 21 stereo power amplifier, $1995.00. Tested sample on loan from manufacturer. Read the rest of this entry »

Once Again, CD and DVD Reviews

February 19th, 2006

Maybe I should elaborate on, and clarify, my previous comments on the subject of serious (“classical”) music vs. popular music.

Not all classical music is serious, nor is all serious music good. For example, neither Rossini’s William Tell overture nor Johann Strauss’s Blue Danube waltz is serious, but both are classical and both are good. On the other hand, Tchaikovsky’s 1812 Overture is both classical and serious but not very good. Popular music can also be “classical,” in the sense of a “classic,” such as Hoagy Carmichael’s Stardust, for example, which is a popular song that is not a whit inferior to a Schubert Lied. I have the greatest respect for truly good popular music. I think Louis Armstrong, Nat “King” Cole, and Hank Williams were stupendous, just as I think that Aerosmith, Eminem, and Britney Spears are garbage. It is unfortunate that the youngest generation’s exposure to popular music is currently dominated by garbage, but that can change. (All it would take is the emergence of a new really gifted group, such as the Beatles in the ’60s, and its rise to mega-success.) Serious music also went through a wrong-headed, sterile phase in the second half of the twentieth century, and now the tide seems to be turning. Read the rest of this entry »

The Realities of Audio: an Old Man’s Musings

February 13th, 2006

Three months from now I’ll have my 80th birthday. I’ve been writing on the subject of audio for 50 years, 30 of them for The Audio Critic, and at this point I am something of a burnout. Specifically, I’ve lost all patience for the wide-eyed wonderment of reviewers over the latest and greatest audio gear. Read the rest of this entry »

Bryston 875HT

December 10th, 2005

8-Channel Power Amplifier

Bryston Ltd., 677 Neal Drive, P.O. Box 2170, Peterborough, Ontario, Canada K9J 7Y4. Voice: (705) 743-5325. Fax: (705) 742-0882. E-mail: info@bryston.ca. Web: www.bryston.ca. 875HT eight-channel power amplifier, $5195.00. Tested sample on loan from manufacturer. Read the rest of this entry »